The book begins with discussion of the roots of modernism in mid to late 19th century French literature, in which description of two famous obscenity cases shows changing attitudes toward ‘representation’ in the arts. The author used the term representation to mean the way in which reality may be conveyed by a work of art. This involves both the chosen subject matter and the techniques employed by the artist. In the court case against Charles Baudelaire, the state alleged poems from the Flowers of Evil created ‘an offense against public morals’. Together with the similar case against Gustave Flaubert’s Madame Bovary
I was surprised by how much the book connected the movements in modern art to movements in literature, and there is a lot of discussion of the artists working in France in the 19th century, especially the Impressionists. While I was plowing through the book determined not to leave home on Saturday, Sunyoung called from the Albuquerque Museum of Art to let me know they were having, believe it or not, a family day there to celebrate a loan from the National Museum of Wales of works from Turner to Cezanne. So after reading about modernism and impressionists and their influence on twentieth century modernism, I was able to sit on the floor of the main gallery with Bridget and Dylan, listen to a story about Monet's Garden, and then get up close and personal with water lilies, among other paintingsLinnea in Monet's Garden
On Sunday, I received Dylan Thomas’s Collected Poems
We had record heat all weekend, so it was a good weekend to go to the Museum and read. However, I did work on the swamp cooler and repair and re-install part of a sprinkler system.
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